The company consists of six performers from this season's ensemble and includes two leading players, Kylan Ross, the title actor of "Pippin," and Gabe Belyeu, this season's "Man of La Mancha." They each have wonderful solo moments and act and sing their way through wonderful numbers. With them are Liz Gurland, Erin Spear Leonard, Amber Mawande-Spytek and William Taitel. The time period covered in this show includes many shows written for, or starring, Liza Minelli and so much of her special material is heard here. One song, "Colored Lights," from "The Rink" is sung by Liz Gurland with sweetness and a nostalgic essence that is matched by lovely lighting by Andrew Gmoser. Another Minellli hit, from Kander and Ebb's first show, "Flora, the Red Menace," called "A Quiet Thing" is well-performed by Amber Mawande-Spytek. Her rendition highlights one of Kander's most sensitive and memorable melodies.

        In the second act Kylan Ross and Amber Mawande-Spytek perform a lengthy tap routine that  would  ultimately make Astaire and Rogers proud. It is another high point in this joyous show which showcases the multiple talents found in this company. Every song has much to recommend it.  Not only theatre songs, but hits from films and television specials are littered throughout the entertainment. Songs from "Funny Lady," "New York, New York," " Liza With a Z" and more run through the piece. Even their one pop song, "My Coloring Book"  makes a much appreciated appearance sung by Erin Spear Leonard.

        Fed Ebb's witty and sophisticated lyrics, perfectly underscored by John Kander's music constantly rock the show with laughter. One such song is the duet, "The Grass Is Always Greener" from "Woman of the Year" sung by Mawande-Spytek and Gurland (photo: Ann Kielbasa). This is just one example. There are so many more, but the sad songs rival the comic ones. "Maybe this Time" from the film version of "Cabaret" sung by Gurland and "Sometime a Day Goes By"  from "Woman of the Year" sung by Ross are moving and melancholic. William Taitel brings all the pathos possible to "Chicago"'s "Mr. Cellophane" without dragging it down.